Electric Universe forum - Everything Is Electric

Everything and anything => Is everything a frequency and/or a hologram? => : electrobleme October 27, 2009, 21:08:52

: Is everything a frequency, is it a harmonic/musical Universe?
: electrobleme October 27, 2009, 21:08:52
If everything is electric (atoms are electric) then is everything a frequency?

If you think about it then that strange idea that it is all a hologram has some basis, as a hologram is created by light and light waves. Frequency.


** People, sites, ideas and stuff about if everything is a frequency/mathematical Universe

** John Keely (http://everythingselectric.com/forum/index.php?topic=159.msg346#msg346)

** Walter Russell (http://everythingselectric.com/forum/index.php?topic=159.msg347#msg347)

** Dowsing and the lattice (http://www.everythingselectric.com/forum/index.php?topic=159.msg365#msg365)

** sacred geometry (http://www.everythingselectric.com/forum/index.php?topic=159.msg366#msg366)

** Fractals + Electricity = Electro Fractal Universe (http://www.everythingselectric.com/forum/index.php?topic=159.msg426#msg426)

** harmonics - masculine and female numbers - golden ratio  - Fibonacci and Pythagoras (http://www.everythingselectric.com/forum/index.php?topic=159.msg551#msg551)The Pythagorean ... having been brought up in the study of mathematics, thought that things are numbers ... and that the whole cosmos is a scale and a number.

** Golden Ratio Discovered in Quantum World (http://www.everythingselectric.com/forum/index.php?topic=159.msg589#msg589) - Hidden Symmetry Observed for the First Time in Solid State Matter

: John Keely and the power frequencies of 3 6 9
: electrobleme October 27, 2009, 21:10:05
John Ernst Worrell Keely - Sympathetic Vibratory Physics

There is no dividing of matter and force into two distinct terms, as they both are one. Force is liberated matter. Matter is force in bondage. Matter is bound up energy and energy is liberated matter.
- John Keely 1893

John Keely - PowerPedia (http://peswiki.com/index.php/PowerPedia:John_Keely) Very good brief on John Keely (born September 3 1827 and died November 18 1898).

John Keely investigated and reported on these topics and many more


3 6 9

John Keely, wrote that the vibrations of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get the best effects."

If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe -Nikola Tesla
John Keely - PowerPedia (http://peswiki.com/index.php/PowerPedia:John_Keely)


Links and videos about John Keely

John Keely - PowerPedia (http://peswiki.com/index.php/PowerPedia:John_Keely)

*** VIP ***The Basic Principles of SVP 1/2 (John Worrell Keely) by Dale Pond (http://video.google.com/videoplay?docid=9125003792513982191) - free video - amazing

*** VIP ***The Basic Principles of SVP 2/2 (John Worrell Keely) by Dale Pond (http://video.google.com/videoplay?docid=-5430570751600484561&hl=en) - free video - amazing

John Keely (http://en.wikipedia.org/wiki/John_Keely)

John Keely - physics and tables (http://www.greatdreams.com/grace/1/26keely.html)
: Walter Russell - rythm is the dancer
: electrobleme October 27, 2009, 21:12:26
Walter Russell - Rhythmic Balanced Interchange between all opposites


"The keystone of the entire structure of the spiritual and physical universe is Rhythmic Balanced Interchange between all opposites."
Walter and Lao Russell - walter-russell.org (http://www.walter-russell.org/en/Themen.php[/url)


"...weight should be measured dually as temperature is. It should have an above and below zero... "

"...I always looked for the Cause behind things and didn't fritter away my time analyzing Effect. All knowledge exists as Cause. It is simple. It is limited to Light of Mind and the electric wave of motion which records God's thinking in matter."

"Every wave is a perfect dynamo, but the very purpose of waves is to generate heat in its armatures at wave amplitude points. That is the only way waves create matter"

"(new power source and system) The reason it has never been known is because of the false concept of gravity which assumes it to be a force of attraction which pulls inward from within instead of a cyclic force which controls the expansion of cold into heat, and the expansion of heat into cold... Nature's first principle of power prdouction and the construction of matter is to produce heat from the cold of space. The heat thus generated radiates back into cold to complete the wave cycle which automatically repeats itself in this ageless universe of infinite continuity."
Walter Russell - powerpedia (http://peswiki.com/index.php/PowerPedia:Walter_Russell[/url)


Walter Russell presented to the world new theories such as the fundamental principles of energy dynamics, the nature of matter and the progression of the evolution of matter, and the depiction of the universe as a continuously changing, creating effort sustained by the systematic work effort of the energy of light which all matter is composed. His depictions of universal laws was expansive enough to be considered a complete nonstandard cosmology. Today his works are known as Russelian science.
Walter Russell - powerpedia (http://peswiki.com/index.php/PowerPedia:Walter_Russell[/url)

Links to websites about Walter Russell
Walter Russell - powerpedia (http://peswiki.com/index.php/PowerPedia:Walter_Russell)
Walter and Lao Russell - walter-russell.org (http://www.walter-russell.org/en/Themen.php)
Walter Russell - wikipedia (http://en.wikipedia.org/wiki/Walter_Russell)

Free Energy and Free Thinking (http://www.feandft.com/) - immense site - "Walter Russell's Cosmology  Reveals: The True Nature of Space, Light, Gravity, Magnetism, Electricity, Vortex Mechanics and Free Energy. This Site Represents the Emerging Paradigm of Harmonic Defiance"

: Dowsing and the lattice
: electrobleme November 10, 2009, 23:25:04

Dowsing and the lattice

On the thunderbolts.info forum an amazing post was started by kevin. It started about the natural energy grid - the lattice - and how it can be detected by dowsing. That was the start of the thread and, at this moment, 370+ replies and 21,000+ views later it is still creating talk.

Here is the link to the start of the discussion Dowsing and the lattice (http://thunderbolts.info/forum/phpBB3/viewtopic.php?f=10&t=327)

And quoted below are the first couple of posts.


I would ask if I may offer a slightly different interpretation of past recorded events.
I am a dowser, I posted on this site previously and ran into a lot of flack.
I in no way want to cause any upset or cause annoyance.

Because of what I detect through dowsing, I view things also from the perspective of what I detect.
The conclusions of my dowsing are that eveything is indeed electrically based, but not as commonly accepted.
That we are a consequence of the condition upon the surface of this planet, and that condition is variable due to both field interactions of mass and transfers upon a lattice structure of space that is variable relative to position of multitude of masses within that lattice structure.
That everything is in a sea of aether, where mass is a consequence of the aether coalescing upon the points of a lattice, and that mass is merely a condition of the field about itself as it forms on that lattice.
Many of the ancient symbols and depictions I view, i do so with my dowsing findings on board.
I can dowse all things, we and everything has field structure that interacts with all other fields, all in a sea of aether.
I find dual spin evident flowing upon the lattice work, the lattice has measure, and that measure and the patterns formed I find illustrated in most parts of the worlds ancient cultures.
The measure of fibonnaci is central to the lattice, that lattice never ever moves, what flows upon it is constantly variable, and the moon gives the best clues as it alters the field balance between the earth and the sun.
If any posting containing any of my findings grates at all, i would prefer an honest answer and I will depart, but view your fabulous site with interest.
If so, please view this post as a thought to keep in your minds, I can detect with my hands far more than our common senses , and again many ancient symbols and drawings show what is available by this detection method, i know because I recognise them.
I have trawled the ancient megalithic world checking what I detect, i have haunted the norman churches and cathedrals, noting every symbol and carving and checking its relevance to my dowsing, I know the measure of it all.

All of the religious symbols are found within the lattice structure, and as the whole structure has symmetry each differing symbol raises in prominence at differing points, always a four way cross with circulations about it is evident.

The lattice is composed of dead straight lines, they occur in nine parallel lines grouped in three sets of threes, which can all be found left as stories.
The point where numerous numbers of these sets of lines cross ( always in numbers matching fibonnaci sequence ) the stunning geometry formed is shown in all cultures , the spirals leading into and out of the central point are pathways where what you call plasma jumps from line to line leading into points of least resistance, and back out again, neighbouring such points then twine together in DNA fashion and creation occurs.
The tree of life depicted everywhere is a representation of where parallel sets of the nine lines run and overlap each other especially on N,S and E,W alignments, fibonnaci spirals eather side of each line form as transfers of potential occur, this occurance is where all the churchs and cathedrals and ancient sites were sited by those who must have been able to sense as i do, or actually see this happening, the seeing part is assisted in the cathedrals by the coloured glass and incenses poured into the chambers, i have watched.

I do not think of plasma anymore or use the word, it confuses the issue, it is all alive, we are a consequence of it, we come from it and return into it, everything is one, and that one has a dual nature that is created by geometrical brilliance that turns the spin into its opposite and they are then attracted together.
if a huge transfer of either of these dual flows was to occur, massive dissolvement may occur, again such things are written and depicted in myth
by Kevin

---------------------------------------------------------------------------------------------------------------------------------------------

Hey, I remember you Kevin. That was quite some time ago when you posted regarding dowsing.

I think, if I remember correctly, that I had shared my case of having to use dowsing to locate underground cables in an emergency situation. We used every modern technological convenience at our disposal but had no luck. There was at least two feet of snow prohibiting our work and after approx. four hours of searching a coworker suggested dowsing.

I didn't think he was serious but we didn't have any other options left so I thought 'What the heck'. He taught me right there on the spot in 28 degree weather. We needed two dowsers in order to trace relatively straight lines between us and would alternate. As the rods (hangers borrowed from a local resident) would close he would shuffle through the snow towards me, then past me, to set up a new location. Then, as his rods closed I would shuffle towards and past him to a new location then dowse again. We did this alternating for approx. 1200 feet and after about an hour or so found our mark, and our problem.

I still tease him about that to this day. :D

I'm not to sure if I understood everything in your post but it is interesting that you mention the 'aether lattice'. I've just recently begun gathering information from some of the sources recommended here by other members regarding same. I'll have to re-read you post but that's very interesting that you've recognized a 'lattice' structure/formation.
by Solar
Dowsing and the lattice (http://thunderbolts.info/forum/phpBB3/viewtopic.php?f=10&t=327)
: sacred geometry
: electrobleme November 10, 2009, 23:47:59
sacred geometry

Some geometry patterns, shapes and angles are a natural wonder. Repeated throughout the universe, from the smallest size up to the largest we can imagine.

From the Fibonacci Spiral Vortex, Golden angles and Ratios and many more.

This amazing site (Free Energy and Free Thinking)  (http://www.feandft.com/)has lots of interesting stuff and is a good place to start to learn about sacred geometry (http://www.feandft.com/18%20Sacred%20Geometry.htm).

(http://www.everythingselectric.com/images/flower-of-life-drawing-diagram-illustration-pattern-forum.jpg) (#post_##) (http://www.everythingselectric.com/images/seismic-waves-p-s-flower-of-life-pattern-diagram-forum.jpg) (#post_##)

The image on the left is the sacred geometry of the flower of life. The image on the right is the seismic patterns that you would see in the earth if you created seismic waves from the opposite 4 points of the globe.

The image of the seismic flower of life is from this website (http://aspire.cosmic-ray.org/labs/seismic/index.htm)

(http://www.everythingselectric.com/images/earths-inner-layers-geulogy-geology-patterns-seismic-forum.jpg) (#post_##)

This is a different image of just the p-waves in one hemisphere but if you double it you get another interesting pattern

(http://www.everythingselectric.com/images/flower-of-life-sacred-geometry-p-waves-seismic-waves-pattern-diagram-forum.jpg) (#post_##)

The gardians or more accurately the ancient keepers of lore and knowledge used symobls and patterns to not just remember things but to contain information. Do the old sacred geometry symbols and signs contain more than just pretty natural patterns?

For example one image that is not quite geometry but could be if interpreted that way is the ancient images of the Squatter Man (Squatting Man) and the Tree of Life. Were these just crazy carvings or images or did they show an event or knowledge?




: Fractals + Electricity = Electro Fractal Universe
: electrobleme December 05, 2009, 04:37:05
This great site - Fractal Universe (http://www.fractaluniverse.org/v2/) - with good images, clear brief explanations and it really makes you think about the Universe you live in. Also has FREE ebook Electro Fractal Universe Theory (pdf) (http://www.theplasmaverse.com/pdfs/electro-fractal-universe-theory.pdf).

Introduction to Fractal Universe

The universe consists of a series of spiral bodies of diminishing size, each made in turn by plasma ejection and moulded by a spatial Coriolis effect: a rotating fractal universe.

The Big Bang theory is a failure. It has failed because the wrong guesses were made by Einstein and Friedman. Their equations ignored electricity’s dominant role in the universe. So much for the supposed ‘rigour of mathematics’. Therefore research for the following hypothesis, was begun using pictures, not maths, but the attempt to explain the wide-spread occurrence of spirals in space produced unexpected results. The identification of similarities between all sizes of bodies from super-galactic to atomic brought with it, like it or no, a clear connection to Schroedinger’s quantum mathematics!
fractaluniverse .org (http://www.fractaluniverse.org/v2/)

One of the Electric Universe Theory mantras is that everything is scalable (http://www.plasma-universe.com/index.php/Plasma_scaling). This would appear to fit into a Fractal Universe.

The thunderbolts.info forum has a good discussion on "Is the Electric Universe a Fractal Too? Signs Point to Yes! (https://www.thunderbolts.info/forum/phpBB3/viewtopic.php?f=3&t=785&start=0)" with the FractalUniverse.org site being mentioned later on (https://www.thunderbolts.info/forum/phpBB3/viewtopic.php?f=3&t=785&start=30#p22830).

Lots of good links and stuff. A few of the linked articles are shown below (thanks to thunderbolts members for finding them).


(http://www.everythingselectric.com/images/fractal-universe-the-hierarchical-cosmology-model-charlier-hannes-alfven.jpg)
On Hierarchical Cosmology (pdf) (http://articles.adsabs.harvard.edu/cgi-bin/nph-iarticle_query?1983Ap%26SS..89..313A&data_type=PDF_HIGH) by Hannes Alfven


Self-similarity of plasma networking in a broad range of length scales: From laboratory to cosmic plasmas

A high degree of self-similarity of plasma structuring is found in a very broad range of length scales, from individual filaments in laboratory discharges to the structures in the universe, which resemble electric currents networking in laboratory plasmas. The results presented illustrate recently suggested [Kukushkin and Rantsev-Kartinov, Laser Part. Beams 16, 445 (1998)] generic features of networking in plasmas: (1) long-living (nonfluctuative) filamentation of electric current; (2) formation of a fractal structure made of single filament and complicated interaction of these ‘‘fractal’’ filaments; (3) formation of a percolating network that includes, in particular, formation of the ‘‘stockings’’ woven by the individual filaments.
Self-similarity of plasma networking in a broad range of length scales: From laboratory to cosmic plasmas (pdf) - by A. B. Kukushkin and V. A. Rantsev-Kartinova (http://plasmascience.net/tpu/downloadsCosmo/KukushkinKartinovCos.pdf)

: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin December 25, 2009, 18:00:56
Scooby doo,
 That is very humbling to see Myself quoted, gulp.
Where does a tree come from?
Most people will say it grows from the soil, I consider it implodes space.
it grows from a seed, a container of information, it grows into the earth and into atmosphere.
if it grew out of the earth , there would be a huge hole there.
When it stops operating it rots, as we call it, if We ignite it , it releases heat and lots more.
http://www.christmas-tree.com/where.html
seeing as it's christmas, mithras, krishna, horus day.
Why bring an evergreen indoors?
It's all by field, biefeld-Brown.
Dr Brown is My ultimate hero, a great human being, as well as totally tapped into the FIELD.
Trees react to signals(March21st, Sept 22nd)
Even the evergreens react , but not as totally as most trees, they reverse their field on March 21st, litterally alter the direction of their field( they fill their field, thus looking at any tree displays their field)
The trees branchs are antenna, all the way around them, not all pointing at the sun.
The branchs have hardwood spikes going into the trunk to differing depths, the tree trunk been a capacitor, a series of circuler plates, by altering the crystaline structure direction, the tree will reflect/refract space.
Everywhere is in space, everything is space , just locally re-prientated.
By reversing it's field, the tree alters within it( anybody ever been in a tree?)
gravity or better worded as attraction field thus water falls to its upper field limits, on sept 22nd they revert to normal, attracted to a surface layer of attraction.
The tree was worshipped, quite rightly imho, it is a perfect frequency accumulator, re-orientating and remembering locally within it's field what it is, when it stops operating the locally imploded space begins to explode back, if you ignite that you speed up that process, a local field We call heat is released
Kevin
: harmonics - masculine and female numbers - golden ratio - Fibonacci
: electrobleme December 31, 2009, 06:44:13

Pythagoras noticed that vibrating strings produce harmonious tones when the ratios of the lengths of the strings are whole numbers

Pythagoras believed that all relations could be reduced to number relations. As Aristotle wrote:-

    The Pythagorean ... having been brought up in the study of mathematics, thought that things are numbers ... and that the whole cosmos is a scale and a number.

This generalisation stemmed from Pythagoras's observations in music, mathematics and astronomy. Pythagoras noticed that vibrating strings produce harmonious tones when the ratios of the lengths of the strings are whole numbers, and that these ratios could be extended to other instruments. In fact Pythagoras made remarkable contributions to the mathematical theory of music. He was a fine musician, playing the lyre, and he used music as a means to help those who were ill.

Pythagoras studied properties of numbers which would be familiar to mathematicians today, such as even and odd numbers, triangular numbers, perfect numbers etc. However to Pythagoras numbers had personalities which we hardly recognise as mathematics today [3]:-

    Each number had its own personality - masculine or feminine, perfect or incomplete, beautiful or ugly. This feeling modern mathematics has deliberately eliminated, but we still find overtones of it in fiction and poetry. Ten was the very best number: it contained in itself the first four integers - one, two, three, and four [1 + 2 + 3 + 4 = 10] - and these written in dot notation formed a perfect triangle.
Pythagoras of Samos (http://www-history.mcs.st-and.ac.uk/Biographies/Pythagoras.html)

Here is a page with a lot of Fibonacci Numbers and the Golden Section (http://www.maths.surrey.ac.uk/hosted-sites/R.Knott/Fibonacci/fib.html) information/links

: Re: Is everything a frequency, is it a harmonic/musical Universe?
: electrobleme January 01, 2010, 00:25:47

kevin, when you say about stuff filling out its field would this also apply to animals and humans? we have had mini and giant everything - is it not just electric gravity but the energy or field that means they can grow to that size?

the fir trees after chernobal, the tops that grew after the nuclear disaster had different shape - not just due to genetic deformaty but because the area in the area and they were now different?
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin January 01, 2010, 05:00:39
With many of the youngsters I presently encounter, they have enormous fields, some reaching 55 feet diameters, google indigo children.
The giants of past  may simply have been a reaction to an alteration in the field pressure.
What I sense happens is that an input from all around the sphere meets an altered pressure  zone, this increase doesn't simply cause a downward increase as it's not as simple as that, the incoming passes through the planet in spiral pathways and exits at the opposite side( look for storms and volcanos opposite each other)
That means that an increase in outward pressure meets the increased incoming, thus everything reacts and increases.
When the sphere meets a low pressure zone in space a collapse of all may occur as the potentials decrease.
Everything is electric, litterally, increase the potentials and all upgrades.
most people fear an increase in potentials, no bring it on.
kevin
: Golden Ratio Discovered in Quantum World
: electrobleme January 10, 2010, 04:50:04

Golden Ratio Discovered in Quantum World: Hidden Symmetry Observed for the First Time in Solid State Matter

Researchers from the Helmholtz-Zentrum Berlin für Materialien und Energie (HZB), in cooperation with colleagues from Oxford and Bristol Universities, as well as the Rutherford Appleton Laboratory, UK, have for the first time observed a nanoscale symmetry hidden in solid state matter. They have measured the signatures of a symmetry showing the same attributes as the golden ratio famous from art and architecture.

The research team is publishing these findings in the Jan. 8, 2010 issue of the journal Science.

On the atomic scale particles do not behave as we know it in the macro-atomic world. New properties emerge which are the result of an effect known as the Heisenberg's Uncertainty Principle. In order to study these nanoscale quantum effects the researchers have focused on the magnetic material cobalt niobate. It consists of linked magnetic atoms, which form chains just like a very thin bar magnet, but only one atom wide and are a useful model for describing ferromagnetism on the nanoscale in solid state matter.

When applying a magnetic field at right angles to an aligned spin the magnetic chain will transform into a new state called quantum critical, which can be thought of as a quantum version of a fractal pattern. Prof. Alan Tennant, the leader of the Berlin group, explains "The system reaches a quantum uncertain -- or a Schrödinger cat state. This is what we did in our experiments with cobalt niobate. We have tuned the system exactly in order to turn it quantum critical."

By tuning the system and artificially introducing more quantum uncertainty the researchers observed that the chain of atoms acts like a nanoscale guitar string. Dr. Radu Coldea from Oxford University, who is the principal author of the paper and drove the international project from its inception a decade ago until the present, explains: "Here the tension comes from the interaction between spins causing them to magnetically resonate. For these interactions we found a series (scale) of resonant notes: The first two notes show a perfect relationship with each other. Their frequencies (pitch) are in the ratio of 1.618…, which is the golden ratio famous from art and architecture." Radu Coldea is convinced that this is no coincidence. "It reflects a beautiful property of the quantum system -- a hidden symmetry. Actually quite a special one called E8 by mathematicians, and this is its first observation in a material," he explains.

The observed resonant states in cobalt niobate are a dramatic laboratory illustration of the way in which mathematical theories developed for particle physics may find application in nanoscale science and ultimately in future technology. Prof. Tennant remarks on the perfect harmony found in quantum uncertainty instead of disorder. "Such discoveries are leading physicists to speculate that the quantum, atomic scale world may have its own underlying order. Similar surprises may await researchers in other materials in the quantum critical state."

The researchers achieved these results by using a special probe -- neutron scattering. It allows physicists to see the actual atomic scale vibrations of a system. Dr. Elisa Wheeler, who has worked at both Oxford University and Berlin on the project, explains "using neutron scattering gives us unrivalled insight into how different the quantum world can be from the every day."

However, "the conflicting difficulties of a highly complex neutron experiment integrated with low temperature equipment and precision high field apparatus make this a very challenging undertaking indeed." In order to achieve success "in such challenging experiments under extreme conditions" the HZB in Berlin has brought together world leaders in this field. By combining the special expertise in Berlin whilst taking advantage of the pulsed neutrons at ISIS, near Oxford, permitted a perfect combination of measurements to be made.
Golden Ratio Discovered in Quantum World: Hidden Symmetry Observed for the First Time in Solid State Matter (http://www.sciencedaily.com/releases/2010/01/100107143909.htm)
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin January 16, 2010, 14:46:00
Keep atuned to radio fibonacci, Phi and pi,
http://www.world-science.net/othernews/100107_goldenratio
It's your link from above, but needs saying many times, inho, think of stones placed in circles around a point, they all will be at ninty degrees to the line bisecting the point, and if You know how to position them relative to how they were formed in the earth????????
kevin
: remember every shade and shadow -connected to your reality
: electrobleme January 18, 2010, 05:31:32
posted by "sam" in the chat room (http://www.everythingiselectric.com/room2chat/home.html)

sam: you are on the right track-the answers you are looking for is inbeded in millions of outdoor photographs-remember every shade and shadow -connected to your reality-and what the human mind sees as empty space-means something-
"sam" in the everything is electric  'room 2 chat' (http://www.everythingiselectric.com/room2chat/home.html)

: Spiral and Sequence - Fibonacci, Gibonacci and the Golden Ratio
: electrobleme January 19, 2010, 00:07:42
Spiral and Sequence - Fibonacci, Gibonacci and the Golden Ratio

theory of order .com (http://theoryoforder.com/sequence_and_spiral/) - great site explaining and showing the Fibonacci Spirals/Sequence, Golden Ratio/Angles etc. A very good place to start learning about it but also has some more "advanced" and new stuff to do with the general topic.


Spiral and Sequence - Contents include

    * Where is Everyewhere?
The spiral appears everywhere we look, from the formation of galaxies to the structure of our DNA. First we offer an abridged version of the list of places one might look to see this pattern.

    * Geometry and the Golden Rule
The Spiral has been part of Human Knowledge and artistic practices for many millenia. This systems of logic and study extends out of a geometric principle called the Golden Rule.

    * the Fibonacci Sequence
The Spiral is produced using a simple, arithmetic sequence of numbers. This sequence of numbers is called the Fibonacci sequence and is the mathematical beninnig of our understanding.

    * the Golden Ratio
The spiral is a symbol of growth and increased complexity in natural systems and uses the logic of the Fibonacci sequence. The Fibonacci sequence produces an emerging ratio of growth, a relationship of proportionality between concurrent elements. This ratio is called the Golden Ratio.

    * the Golden Spiral
Using the Golden Logic and the Fibonacci sequence, we create a two-dimensional representation plot, which is how the spiral has been articulated expressed for many millenia

    * Generalizing the Golden Logic
The logic of the Fibonacci sequence can be expanded upon and generalised. In doing so, we reveal the underlying use and purpose of these mathematical functions

    * Gibonacci Sequences
Gibonacci Sequence provide an arithmetic means of accomplishing a geometric task. The implemetation, on a Universal scale, implies that there is a common behavior among everything in the universe and that behavioor is expressed through the Gibonacci sequences.

    * Gibonacci Series Limit as p approaches Infinity
As the input variables grow larger and larger, a clear trend appears in the numbers that this sequences generates, and this new and emerging ratio underscores the mathematical behavior and purpose of this system of logic.

    *Generalized Golden Ratio
Keeping in theme with the above sections, we now reconsider the idea of the Golden Ratio, however expanding our pursuits to contemplate a Golden Ratio for each of the Gibonacci Sequences. The results confirm ideas that we have already contemplated in previous sections.

    * The Golden Rule
We began this pursuit by considering the geometric concept called the Golden Rule. We have expanded our system of logic so as to show that these patterns are, in actual fact, a means by which to calculate proportionality and balance. We then assert that this Geometric concept of the Golden Rule is expressing exactly the same idea as the moral maxim of the Golden Rule: Give unto others as you would give to yourself.

   *What is the Fibonacci Sequence?
Finally, we offer a comprehensive summary of this section, including our findings and a little foreshadowing as to why the workings of this system of logic have, heretofore, been detailed to such an extensive degree.


advanced and new stuff

* New Territory - Gibonacci Sequences after 2n
To this point, I have discussed how the Gibonacci sequences extend the logic of the Fibonacci Sequence, and in doing so, produce an ever-expanding approximation of 2^(n-p).
We saw it the previous work that, as a rule, the pth Gibonacci Sequence contains p numbers equal to 2^(n-p), according to this site's conventions.
So I asked another, rather simple question: What about all of the other numbers in Gibonacci Sequences not equal to 2^(n-p).
I am not really sure of the semantics behind this line of inquiry, but the love of playing with numbers seems value enough.

* Chebyshev Polynomials
The purpose, use and mathematics of Chebyshev Polynomials are all well out of the scope of this project. Nonetheless, the important point to note in for this paper, is that at the exact same time the Gibonacci Sequence research was being conducted for the Theory of Order, Professor Milan Janjic of the Faculty of Natural Sciences and Mathematics, Banja Luka, located in Republic of Serbia was developing a combinatoric function to output the roots of Chebyshev polynomials.

* Developing a Nonrecursive, Binomial Gibonacci Function
Having come to understand that a function can describe the values of Gibonacci sequence not equal to 2^(n-p), we now have the ability to expand our generalization of the Gibonacci numbers.

To read more on these topics visit theory of order .com (http://theoryoforder.com/sequence_and_spiral/)



: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin January 19, 2010, 04:59:35
Electrobleme,
 Nassim Haramein is very close in this clip, if He had gone the whole hog and positioned the spirals on fibonacci sequencing spacings then the interferance pattern would have developed a really clear dominant cross.
The reality is that overlapping such interferance patterns sited at fibonacci measure distances apart spiral in opposite directions.
This gives two parallel interferance patters where bloch walls and neel walls occur along them.
The interferance patterns created are to scale and cover huge distances.
It may be easier on an island such as Malta to identify such circles as shown here in the cotswolds?
http://www.youtube.com/watch?v=_2kxRaDYBnw&feature=related
http://www.kch42.dial.pipex.com/cotswold.htm
http://www.kch42.dial.pipex.com/images/Cotswoldcirc2.jpg
Kevin
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin January 19, 2010, 05:26:15
Electrobleme,
                       These people and Myself are conversing, I have offered everything I find free.
we are all ONE.
http://www.naturescode.org.uk/theory.html
Kevin
: Rodin & Sound waves (from thunderbolts)
: electrobleme January 23, 2010, 03:04:16



(http://thunderbolts.info/forum/phpBB3/download/file.php?id=1330) (http://thunderbolts.info/forum/phpBB3/viewtopic.php?f=10&t=2879)

If the above keyboard is a true representation of the frequencies in Hz of musical chords is it just luck that the A scale follows the pattern of the so-called Rodin fingerprint of god? 1, 2, 4, 8, 7, 5, 1 etc

27.5 = 5
55 = 1
11 = 2
220 = 4
440 = 8
880 = 7
1760 = 5
3520 = 1

I'm not a religious person, but isn't this weird?  ::)

post by Jaseli on thunderbolts forum |  (http://thunderbolts.info/forum/phpBB3/viewtopic.php?f=10&t=2879)
: Music & 432: Pythagorean tuning and Pythagorean comma
: electrobleme January 23, 2010, 04:09:04
Music & 432: is everything a frequency?

Lots of frequency stuff on this site carnaval.com (http://www.carnaval.com/music432/)


Pythagorean tuning

Pythagorean tuning is a system of  musical tuning in which the  frequency relationships of all  intervals are based on the ratio  3:2. Its use has been documented as long ago as 3500 B.C. in Babylonian texts[1]. It is the oldest way of tuning the 12-note  chromatic scale and, as such, it is the basis for many other methods of tuning

Pythagorean tuning is tuning based only on the perfect consonances, the (perfect) octave, perfect fifth, and perfect fourth. Thus the major third is considered not a third but a ditone, literally "two tones", and is 81:64 = ( 9:8 )², rather than the independent and harmonic just 5:4, directly below. A whole tone is a secondary interval, being derived from two perfect fifths, (3:2)²/2 = 9:8.

In equal temperament, and most other modern tunings of the chromatic scale, pairs of enharmonic notes such as E flat and D sharp are thought of as being the same note — however, as the above table indicates, in Pythagorean tuning, they theoretically have different ratios, and are at a different frequency. This discrepancy, of about 23.5 cents, or one quarter of a semitone, is known as a Pythagorean comma.


Pythagorean comma

In Western music, 12 perfect fifths and seven octaves are treated as the same interval

In music, when ascending from an initial (low) pitch by a cycle of justly tuned perfect fifths (ratio 3:2), leapfrogging twelve times, one eventually reaches a pitch approximately seven whole octaves above the starting pitch. If this pitch is then lowered precisely seven octaves, it will be discovered that the resulting pitch is 23.46 cents (a very small amount) higher than the initial pitch. This microtonal interval

(long equation!) = 1.0136432647705078125

is called a Pythagorean comma, and sometimes called a ditonic comma.

Put more succinctly, twelve perfect fifths are not exactly equal to seven perfect octaves, and the Pythagorean comma is the amount of the discrepancy.
music432 | carnaval.com (http://www.carnaval.com/music432/)
: Einstein’s Piper: The Tzolkin Code Unveiled and Event Synchronicity
: electrobleme January 24, 2010, 17:57:14


Worth a look and a read from a non EU site emergent-culture.com (http://emergent-culture.com/introducing-einsteins-piper-the-tzolkin-code-unveiled-and-how-every-event-is-a-synchronicity-sos-pt-5/)
: The Universe as a Hologram
: electrobleme February 05, 2010, 18:25:41
The Universe as a Hologram  

the original article with all the links can be found here (http://twm.co.nz/hologram.html)

The Universe as a Hologram -  Does Objective Reality Exist, or is the Universe a Phantasm?

In 1982 a remarkable event took place. At the University of Paris a research team led by physicist  Alain Aspect performed what may turn out to be one of the most important experiments of the 20th century. You did not hear about it on the evening news. In fact, unless you are in the habit of reading scientific journals you probably have never even heard Aspect's name, though there are some who believe his discovery may change the face of science.
Aspect and his team discovered that under certain circumstances subatomic particles such as electrons are able to instantaneously communicate with each other regardless of the distance separating them. It doesn't matter whether they are 10 feet or 10 billion miles apart. Somehow each particle always seems to know what the other is doing. The problem with this feat is that it violates Einstein's long-held tenet that no communication can travel faster than the speed of light. Since traveling faster than the speed of light is tantamount to breaking the time barrier, this daunting prospect has caused some physicists to try to come up with elaborate ways to explain away Aspect's findings. But it has inspired others to offer even more radical explanations.
University of London physicist David Bohm, for example, believes Aspect's findings imply that objective reality does not exist, that despite its apparent solidity the universe is at heart a phantasm, a gigantic and splendidly detailed hologram.
To understand why Bohm makes this startling assertion, one must first understand a little about holograms. A hologram is a three- dimensional photograph made with the aid of a laser. To make a hologram, the object to be photographed is first bathed in the light of a laser beam. Then a second laser beam is bounced off the reflected light of the first and the resulting interference pattern (the area where the two laser beams commingle) is captured on film. When the film is developed, it looks like a meaningless swirl of light and dark lines. But as soon as the developed film is illuminated by another laser beam, a three-dimensional image of the original object appears.
The three-dimensionality of such images is not the only remarkable characteristic of holograms. If a hologram of a rose is cut in half and then illuminated by a laser, each half will still be found to contain the entire image of the rose. Indeed, even if the halves are divided again, each snippet of film will always be found to contain a smaller but intact version of the original image. Unlike normal photographs, every part of a hologram contains all the information possessed by the whole.
The "whole in every part" nature of a hologram provides us with an entirely new way of understanding organization and order. For most of its history, Western science has labored under the bias that the best way to understand a physical phenomenon, whether a frog or an atom, is to dissect it and study its respective parts. A hologram teaches us that some things in the universe may not lend themselves to this approach. If we try to take apart something constructed holographically, we will not get the pieces of which it is made, we will only get smaller wholes.
This insight suggested to Bohm another way of understanding Aspect's discovery. Bohm believes the reason subatomic particles are able to remain in contact with one another regardless of the distance separating them is not because they are sending some sort of mysterious signal back and forth, but because their separateness is an illusion. He argues that at some deeper level of reality such particles are not individual entities, but are actually extensions of the same fundamental something.
To enable people to better visualize what he means, Bohm offers the following illustration. Imagine an aquarium containing a fish. Imagine also that you are unable to see the aquarium directly and your knowledge about it and what it contains comes from two television cameras, one directed at the aquarium's front and the other directed at its side. As you stare at the two television monitors, you might assume that the fish on each of the screens are separate entities. After all, because the cameras are set at different angles, each of the images will be slightly different. But as you continue to watch the two fish, you will eventually become aware that there is a certain relationship between them. When one turns, the other also makes a slightly different but corresponding turn; when one faces the front, the other always faces toward the side. If you remain unaware of the full scope of the situation, you might even conclude that the fish must be instantaneously communicating with one another, but this is clearly not the case.
This, says Bohm, is precisely what is going on between the subatomic particles in Aspect's experiment. According to Bohm, the apparent faster-than-light connection between subatomic particles is really telling us that there is a deeper level of reality we are not privy to, a more complex dimension beyond our own that is analogous to the aquarium. And, he adds, we view objects such as subatomic particles as separate from one another because we are seeing only a portion of their reality. Such particles are not separate "parts", but facets of a deeper and more underlying unity that is ultimately as holographic and indivisible as the previously mentioned rose. And since everything in physical reality is comprised of these "eidolons", the universe is itself a projection, a hologram.
In addition to its phantomlike nature, such a universe would possess other rather startling features. If the apparent separateness of subatomic particles is illusory, it means that at a deeper level of reality all things in the universe are infinitely interconnected.The electrons in a carbon atom in the human brain are connected to the subatomic particles that comprise every salmon that swims, every heart that beats, and every star that shimmers in the sky. Everything interpenetrates everything, and although human nature may seek to categorize and pigeonhole and subdivide, the various phenomena of the universe, all apportionments are of necessity artificial and all of nature is ultimately a seamless web.
In a holographic universe, even time and space could no longer be viewed as fundamentals. Because concepts such as location break down in a universe in which nothing is truly separate from anything else, time and three-dimensional space, like the images of the fish on the TV monitors, would also have to be viewed as projections of this deeper order. At its deeper level reality is a sort of superhologram in which the past, present, and future all exist simultaneously. This suggests that given the proper tools it might even be possible to someday reach into the superholographic level of reality and pluck out scenes from the long-forgotten past.
What else the superhologram contains is an open-ended question. Allowing, for the sake of argument, that the superhologram is the matrix that has given birth to everything in our universe, at the very least it contains every subatomic particle that has been or will be -- every configuration of matter and energy that is possible, from snowflakes to quasars, from blue whales to gamma rays. It must be seen as a sort of cosmic storehouse of "All That Is."
Although Bohm concedes that we have no way of knowing what else might lie hidden in the superhologram, he does venture to say that we have no reason to assume it does not contain more. Or as he puts it, perhaps the superholographic level of reality is a "mere stage" beyond which lies "an infinity of further development".

Bohm is not the only researcher who has found evidence that the universe is a hologram. Working independently in the field of brain research, Standford neurophysiologist Karl Pribram has also become persuaded of the holographic nature of reality. Pribram was drawn to the holographic model by the puzzle of how and where memories are stored in the brain. For decades numerous studies have shown that rather than being confined to a specific location, memories are dispersed throughout the brain.
In a series of landmark experiments in the 1920s, brain scientist Karl Lashley found that no matter what portion of a rat's brain he removed he was unable to eradicate its memory of how to perform complex tasks it had learned prior to surgery. The only problem was that no one was able to come up with a mechanism that might explain this curious "whole in every part" nature of memory storage.
Then in the 1960s Pribram encountered the concept of holography and realized he had found the explanation brain scientists had been looking for. Pribram believes memories are encoded not in neurons, or small groupings of neurons, but in patterns of nerve impulses that crisscross the entire brain in the same way that patterns of laser light interference crisscross the entire area of a piece of film containing a holographic image. In other words, Pribram believes the brain is itself a hologram.
Pribram's theory also explains how the human brain can store so many memories in so little space. It has been estimated that the human brain has the capacity to memorize something on the order of 10 billion bits of information during the average human lifetime (or roughly the same amount of information contained in five sets of the Encyclopaedia Britannica).
Similarly, it has been discovered that in addition to their other capabilities, holograms possess an astounding capacity for information storage--simply by changing the angle at which the two lasers strike a piece of photographic film, it is possible to record many different images on the same surface. It has been demonstrated that one cubic centimeter of film can hold as many as 10 billion bits of information.
Our uncanny ability to quickly retrieve whatever information we need from the enormous store of our memories becomes more understandable if the brain functions according to holographic principles. If a friend asks you to tell him what comes to mind when he says the word "zebra", you do not have to clumsily sort back through some gigantic and cerebral alphabetic file to arrive at an answer. Instead, associations like "striped", "horselike", and "animal native to Africa" all pop into your head instantly. Indeed, one of the most amazing things about the human thinking process is that every piece of information seems instantly cross- correlated with every other piece of information--another feature intrinsic to the hologram. Because every portion of a hologram is infinitely interconnected with every other portion, it is perhaps nature's supreme example of a cross-correlated system.
The storage of memory is not the only neurophysiological puzzle that becomes more tractable in light of Pribram's holographic model of the brain. Another is how the brain is able to translate the avalanche of frequencies it receives via the senses (light frequencies, sound frequencies, and so on) into the concrete world of our perceptions.
Encoding and decoding frequencies is precisely what a hologram does best. Just as a hologram functions as a sort of lens, a translating device able to convert an apparently meaningless blur of frequencies into a coherent image, Pribram believes the brain also comprises a lens and uses holographic principles to mathematically convert the frequencies it receives through the senses into the inner world of our perceptions.

An impressive body of evidence suggests that the brain uses holographic principles to perform its operations. Pribram's theory, in fact, has gained increasing support among neurophysiologists.
Argentinian-Italian researcher Hugo Zucarelli recently extended the holographic model into the world of acoustic phenomena. Puzzled by the fact that humans can locate the source of sounds without moving their heads, even if they only possess hearing in one ear, Zucarelli discovered that holographic principles can explain this ability. Zucarelli has also developed the technology of holophonic sound, a recording technique able to reproduce acoustic situations with an almost uncanny realism.

Pribram's belief that our brains mathematically construct "hard" reality by relying on input from a frequency domain has also received a good deal of experimental support. It has been found that each of our senses is sensitive to a much broader range of frequencies than was previously suspected. Researchers have discovered, for instance, that our visual systems are sensitive to sound frequencies, that our sense of smellisin part dependent on what are now called "osmic frequencies", and that even the cells in our bodies are sensitive to a broad range of frequencies. Such findings suggest that it is only in the holographic domain of consciousness that such frequencies are sorted out and divided up into conventional perceptions.

But the most mind-boggling aspect of Pribram's holographic model of the brain is what happens when it is put together with Bohm's theory. For if the concreteness of the world is but a secondary reality and what is "there" is actually a holographic blur of frequencies, and if the brain is also a hologram and only selects some of the frequencies out of this blur and mathematically transforms them into sensory perceptions, what becomes of objective reality? Put quite simply, it ceases to exist. As the religions of the East have long upheld, the material world is Maya, an illusion, and although we may think we are physical beings moving through a physical world, this too is an illusion.
We are really "receivers" floating through a kaleidoscopic sea of frequency, and what we extract from this sea and transmogrify into physical reality is but one channel from many extracted out of the superhologram.
This striking new picture of reality, the synthesis of Bohm and Pribram's views, has come to be called the-holographic paradigm, and although many scientists have greeted it with skepticism, it has galvanized others. A small but growing group of researchers believe it may be the most accurate model of reality science has arrived at thus far. More than that, some believe it may solve some mysteries that have never before been explainable by science and even establish the paranormal as a part of nature. Numerous researchers, including Bohm and Pribram, have noted that many para-psychological phenomena become much more understandable in terms of the holographic paradigm.

In a universe in which individual brains are actually indivisible portions of the greater hologram and everything is infinitely interconnected, telepathy may merely be the accessing of the holographic level.
It is obviously much easier to understand how information can travel from the mind of individual 'A' to that of individual 'B' at a far distance point and helps to understand a number of unsolvedpuzzles in psychology.
In particular,  Stanislav Grof feels the holographic paradigm offers a model for understanding many of the baffling phenomena experienced by individuals during altered states of consciousness. In the 1950s, while conducting research into the beliefs of LSD as a psychotherapeutic tool, Grof had one female patient who suddenly became convinced she had assumed the identity of a female of a species of prehistoric reptile. During the course of her hallucination, she not only gave a richly detailed description of what it felt like to be encapsuled in such a form, but noted that the portion of the male of the species's anatomy was a patch of colored scales on the side of its head. What was startling to Grof was that although the woman had no prior knowledge about such things, a conversation with a zoologist later confirmed that in certain species of reptiles colored areas on the head do indeed play an important role as triggers of sexual arousal. The woman's experience was not unique. During the course of his research, Grof encountered examples of patients regressing and identifying with virtually every species on the evolutionary tree (research findings which helped influence the man-into-ape scene in the movie Altered States). Moreover, he found that such experiences frequently contained obscure zoological details which turned out to be accurate.
Regressions into the animal kingdom were not the only puzzling psychological phenomena Grof encountered. He also had patients who appeared to tap into some sort of collective or racial unconscious. Individuals with little or no education suddenly gave detailed descriptions of Zoroastrian funerary practices and scenes from Hindu mythology. In other categories of experience, individuals gave persuasive accounts of out-of-body journeys, of precognitive glimpses of the future, of regressions into apparent past-life incarnations.
In later research, Grof found the same range of phenomena manifested in therapy sessions which did not involve the use of drugs. Because the common element in such experiences appeared to be the transcending of an individual's consciousness beyond the usual boundaries of ego and/or limitations of space and time, Grof called such manifestations "transpersonal experiences", and in the late '60s he helped found a branch of psychology called "transpersonal psychology" devoted entirely to their study.
Although Grof's newly founded Association of Transpersonal Psychology garnered a rapidly growing group of like-minded professionals and has become a respected branch of psychology, for years neither Grof or any of his colleagues were able to offer a mechanism for explaining the bizarre psychological phenomena they were witnessing. But that has changed with the advent of the holographic paradigm.
As Grof recently noted, if the mind is actually part of a continuum, a labyrinth that is connected not only to every other mind that exists or has existed, but to every atom, organism, and region in the vastness of space and time itself, the fact that it is able to occasionally make forays into the labyrinth and have transpersonal experiences no longer seems so strange.
The holographic paradigm also has implications for so-called hard sciences like biology. Keith Floyd, a psychologist at Virginia Intermont College, has pointed out that if the concreteness of reality is but a holographic illusion, it would no longer be true to say the brain produces consciousness. Rather, it is consciousness that creates the appearance of the brain -- as well as the body and everything else around us we interpret as physical.
Such a turnabout in the way we view biological structures has caused researchers to point out that medicine and our understanding of the healing process could also be transformed by the holographic paradigm. If the apparent physical structure of the body is but a holographic projection of consciousness, it becomes clear that each of us is much more responsible for our health than current medical wisdom allows. What we now view as miraculous remissions of disease may actually be due to changes in consciousness which in turn effect changes in the hologram of the body.
Similarly, controversial new healing techniques such as visualization may work so well because, in the holographic domain of thought, images are ultimately as real as "reality".

Even visions and experiences involving "non-ordinary" reality become explainable under the holographic paradigm. In his book "Gifts of Unknown Things," biologist Lyall Watson describes his encounter with an Indonesian shaman woman who, by performing a ritual dance, was able to make an entire grove of trees instantly vanish into thin air. Watson relates that as he and another astonished onlooker continued to watch the woman, she caused the trees to reappear, then "click" off again and on again several times in succession.

Although current scientific understanding is incapable of explaining such events, experiences like this become more tenable if "hard" reality is only a holographic projection. Perhaps we agree on what is "there" or "not there" because what we call consensus reality is formulated and ratified at the level of the human unconscious at which all minds are infinitely interconnected. If this is true, it is the most profound implication of the holographic paradigm of all, for it means that experiences such as Watson's are not commonplace only because we have not programmed our minds with the beliefs that would make them so. In a holographic universe there are no limits to the extent to which we can alter the fabric of reality.

What we perceive as reality is only a canvas waiting for us to draw upon it any picture we want. Anything is possible, from bending spoons with the power of the mind to the phantasmagoric events experienced by Castaneda during his encounters with the Yaqui brujo don Juan, for magic is our birthright, no more or less miraculous than our ability to compute the reality we want when we are in our dreams.
Indeed, even our most fundamental notions about reality become suspect, for in a holographic universe, as Pribram has pointed out, even random events would have to be seen as based on holographic principles and therefore determined. Synchronicities or meaningful coincidences suddenly makes sense, and everything in reality would have to be seen as a metaphor, for even the most haphazard events would express some underlying symmetry.

Whether Bohm and Pribram's holographic paradigm becomes accepted in science or dies an ignoble death remains to be seen, but it is safe to say that it has already had an influence on the thinking of many scientists. And even if it is found that the holographic model does not provide the best explanation for the instantaneous communications that seem to be passing back and forth between subatomic particles, at the very least, as noted by Basil Hiley, a physicist at Birbeck College in London, Aspect's findings "indicate that we must be prepared to consider radically new views of reality".

The Universe as a Hologram  | Michael Talbot | twm.co.nz (http://twm.co.nz/hologram.html)
: planets and moons orbits, fluke or frequency? the solar system in harmony :)
: electrobleme April 29, 2010, 07:56:12

planets and moons orbits, fluke or frequency? the solar system in harmony :)

the moon is "largest" or closest to the earth when it is full, in an alignment of the sun/earth/moon (click here for more details and images) (http://www.everythingselectric.com/forum/index.php?topic=241.0). then at other times do we have
sun/earth/moon/mars/
sun/earth/venus
etc.

other planets and especially moons seem to be in either lucky periods or are locked in on their host planet. how is this possible in a universe where gravity is the weakest fundamental force? are the earth and venus also "locked" or in harmony?

as these events happen more than once and between different planets/bodies in our solar system it has to be the solar system is in a fequency or works in harmony. i wonder how our solar system works in harmony with the rest of the electric universe?



"This month (Jan) has the largest full moon of 2010, because it coincides with the special moment when the full moon happens to occur on the same day as it is at perigee," said Marc Jobin, an astronomer at the Montréal Planetarium.

And in a remarkable coincidence, Mars is at opposition Friday—directly opposite to the sun in the sky—so that as the sun sets in the southwest, Mars rises in the northeast.

Around opposition, the red planet gets closest to Earth. This year Mars swung by at just 61 million miles (98 million kilometers) on January 27, and it will still appear remarkably bright during the weekend sky show.

"To the naked eye it will appear as a bright, orange-colored star right next to the full moon—the pair will jump out at you for sure," Jobin said.
Year's Biggest Full Moon, Mars Create Sky Show | nationalgeographic.com (http://news.nationalgeographic.com/news/2010/01/100129-biggest-full-moon-2010-mars/)


"When opposition occurs, Mars is on the opposite side [of Earth] from the sun. If viewed from above the solar system, the sun, Earth, and Mars would be in a straight path," Singh said.

Adding to the cosmic spectacle, on the night of opposition Mars will appear fairly close to the full moon, and the pair will glide together across the sky.


Mars Easy to See

The exact distance between Mars and Earth changes over time, because the orbits of the planets are not perfect circles, but elongated ellipses.

This orbital setup means Mars makes a close pass by Earth roughly every two years.
Year's Best Mars View Tonight | nationalgeographic.com (http://news.nationalgeographic.com/news/2010/01/100127-best-mars-closest-earth-tonight/)



Other cases of locked-in rotation

Moons whose rotation is "locked in" or "synchronous"--always presenting the same face to the parent body--are surprisingly common in the solar system, especially inner moons, close to the planet. All four "Galilean satellites" of Jupiter are synchronous: volcanic Io, Europa, Ganymede and Callisto, all discovered by Galileo. The 5 inner moons of Saturn are similarly synchronous, as is Iapetus, more distant, the mysterious half-dark-half-light moon which in Arthur Clarke's book "2001, Space Odyssey" was the gateway to another world.

The rotation of the planet Mercury is locked onto the Sun in a strange way--three rotations every two orbits. And the strange rotation of Venus, from east to west, unlike Earth--seems to be locked on Earth. The lock seems imperfect and may be accidental, but the fact is that every time Venus is closest to Earth, it presents us with almost exactly the same face. Venus is covered by dense clouds, and the radar-carrying Magellan mission has mapped almost all of its surface in great detail. Before that, though, the main tool for studying the surface were radio telescopes, doubling as radar dishes for bouncing signals off the planet. Only imperfect images could be obtained, but astronomers were frustrated to find that on every closest approach, the same face presented itself.
Libration of the Moon | nasa.gov (http://www-istp.gsfc.nasa.gov/stargaze/Smoon4.htm)
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin April 30, 2010, 04:39:37
Electrobleme,
                     All of creation is in scalar fashion acting in this spiral cyclic fashion, as above, so below.
From thunderbolts,
http://iopscience.iop.org/1367-2630/9/8/263/fulltext
Kevin
: Venus in Lockstep with Earth - TPOD
: electrobleme May 11, 2010, 06:13:52

:)

Venus in Lockstep

Mar  24, 2010
It has long been known that Venus and Earth are somehow gravitationally bound.

 According to a  recent press release (http://www.newscientist.com/article/dn18660-are-venus-and-earth-in-a-longdistance-relationship.html), an old theory about the resonant orbits of Venus and Earth has been resurrected. Whenever Venus arrives at its closest approach to Earth, called an inferior conjunction, it always turns the same face toward our planet. The implication of that arrangement is that Earth and its sister planet are exerting some kind of influence on each other. Since there is no other force known to astronomers that can act between planets, that influence must be gravitational.

An inferior conjunction of Venus takes place when it is aligned between Earth and the Sun. At that time, it is approximately 41 million kilometers away from our planet. However, planetary scientists insist that gravity is too weak to form a resonant lock, leading to an Electric Universe theory that the two planets were once much closer.

Venus is actually in near resonance with Earth. In order for an exact orbital resonance to exist, Venus would have to rotate in 243.16 days, but its actual period is 243.01 days. This close alignment suggests that it might be moving out of a resonant pattern that was once more precise.

One factor besides gravity that might contribute to its face-to-face dance with Earth is that Venus has a long ion tail that extends outward for more than 45 million kilometers. During inferior conjunction, that electrically charged structure can interact with our magnetosphere. What if that electrical connection was much stronger in the past?

Venus is evidently a young planet and still retains some of the cometary characteristics that were once visible to the ancients. Electric Universe theorist Wal Thornhill (http://www.holoscience.com/news.php?article=jej1t3c2) writes:

"Venus, with its cometary tail, is evidently still discharging strongly today after a recent cometary past noted globally by ancient witnesses. Venus was described variously as a ‘hairy star’ or ‘bearded star’ and a stupendous prodigy in the sky. Today, Venus’ comet tail operates in the dark discharge mode and is invisible. It can only be detected by magnetometers and charged particle detectors."

More than 60 years ago, a radical new approach to Solar System dynamics was placed in the public record by a brilliantly inventive scientist, Immanuel Velikovsky. Although various details of his theory have been revised in light of recent discoveries, his essential premise continues to inspire others, including this reporter, to pursue further insights. Prior to the Solar System we know today, there was another arrangement whose downfall became manifest in the mythology of every civilization able to record it for posterity.

Once, perhaps as little as 5000 years ago, the planets were seen as veritable gods, with tremendous powers and chaotic aspects. Those godlike luminaries cast violent energies upon each other and upon Earth: boiling seas, melting mountain ranges, raising sky high tornadoes of fire, and hurling lightning bolts sufficient to vaporize any human work.

The planet-gods did not revolve in the stately orbits we see today. Instead, they encroached on each other, looming large and then retreating, only to rush together in conflict again. During those encounters, Venus and Earth exchanged gigantic outbursts of electric discharge. In those bolts of interplanetary lightning they formed an electromagnetic bond. It was probably then that the orbital resonance that both planets share came into existence.

As time passes, the intimate relationship once shared by Gaea and Aphrodite is beginning to fade. The long ion tail of Venus that continues to brush Earth with its faint electric tickle indicates that it is still in a state of discharge as it slowly regains equilibrium with the Solar System's overall balance. The past appearance of Venus as a terrifying comet with fire-like tendrils and monstrous features has been detailed elsewhere in these pages. For now, let it be said that the goddess is sleeping, and in her slumber we are drifting apart.

Stephen Smith
Venus in Lockstep | TPOD (http://www.thunderbolts.info/tpod/2010/arch10/100324lockstep.htm)
: Lord Vishnus conch produce a sound related to the original vibration of universe
: electrobleme June 03, 2010, 20:38:51


linking in with the idea of cymatics ... and also how frequencies/energies may influence and change us


Lord Vishnu is also seen standing on the whirl of a lotus flower with four hands, which represent the four directions and indicates His absolute power in the four corners of the universe. Each hand holds an item, such as a disc, lotus, conch, and mace. Of the four items, the conch represents the five universal elements. When the conch is blown, it is said to produce a sound related to the original vibration of universal creation. The Lord also blows His conch in calling everyone to turn to the higher reality rather than remaining in the darkness of material existence. This calling is the inner voice which nudges all beings of conscience to seek the Absolute Truth. If man does not heed the call, then the Lord may still use His conch to cut asunder the ego and material attachments of those who do not turn toward the spiritual path.
Lord Vishnu | stephen-knapp.com (http://www.stephen-knapp.com/lord_vishnu.htm)
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: AbbeySam November 05, 2010, 16:26:29
Someone recently described two worlds to me, the seen one and the unseen one.  Both would seem to occupy the same space, and she believes that the unseen world is far more real and important than the seen one, although humans put much more emphasis and importance on the seen world.

She sees parts of the unseen world at different times, and she has described different animals to me.  Birds which are completely different to the ones in the seen world with colours which don't exist in the seen world.  She described them as not being quite all there.. like a hologram is how she put it.  Like light, but looks almost tangible.

This person is nearing the end of her time on this earth - why is it only now that she can see the unseen.... now that she faces death, she has become more in tune with both worlds.  It makes you wonder just what you are not seeing on a day to day basis - what are we missing out on and how do we connect to the unseen?
: holographic universe and the afterlife or otherlife
: electrobleme November 08, 2010, 15:05:40
perhaps our "soul" or the universe knows what is happening and so starts to tune us into the bigger and greater picture? so its not a shock and its a lot easier for us to transform or change our frequency into what is either the afterlife or the actual other life that perhaps the animals and other life forms in the universe know is out there?

as to the animals and colours she sees it reminds me of spirit guides and also the strange egyptian animal gods that you see. in the past the Electric Universe energy was much stronger in our solar system or our planet, this created all the amazing sounds/sights/experiences seen and felt by the ancients. did this also help them to tune in or see the other holographic universes/energies out there?

or was it because they were not so advanced that they could not just see but beleive that there is a a different world/universe out there to the mere physical one our advanced civilised world believes is the only one?
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin November 09, 2010, 14:07:56
Someone recently described two worlds to me, the seen one and the unseen one.  Both would seem to occupy the same space, and she believes that the unseen world is far more real and important than the seen one, although humans put much more emphasis and importance on the seen world.

She sees parts of the unseen world at different times, and she has described different animals to me.  Birds which are completely different to the ones in the seen world with colours which don't exist in the seen world.  She described them as not being quite all there.. like a hologram is how she put it.  Like light, but looks almost tangible.

This person is nearing the end of her time on this earth - why is it only now that she can see the unseen.... now that she faces death, she has become more in tune with both worlds.  It makes you wonder just what you are not seeing on a day to day basis - what are we missing out on and how do we connect to the unseen?


Hello,
IMHO it is to do with geometry, each dimension exists in the self same local, but upon different geometry.
Your personal geometry is of the here and now relative to this reality.
To connect across , or TRIP across onto alternative geometry involves been able to modulate Your personal geometry to phase into tune with whatever other.
I find that the sequencing is fibonacci based, so in simple terms imagine been a 34 in a 34 reality, but if You expand, or contract as people do when dying, then You may become a 5 or 89 etc etc
The base substance of universe is capable of holding infinite combinations of such in the self same local.
To control this reality, the knowledge and ability to modulate has been restricted to a certain few.
Kevin
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: AbbeySam November 09, 2010, 16:01:07
so in simple terms imagine been a 34 in a 34 reality, but if You expand, or contract as people do when dying, then You may become a 5 or 89 etc etc

Can you explain further what you mean by expanding/contracting when dying?  Does it apply to birth/early years too, as I sometimes have the impression babies can see/hear things adults can't. 

To control this reality, the knowledge and ability to modulate has been restricted to a certain few.

How does one become one of the certain few?  Is it something you are born as, or can you train yourself to become one?

Do you see alternate realities, animals or such like?
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: kevin November 10, 2010, 00:46:10
Abbey sam,
              A bit upset at the mo.
A really bright and gifted one has left the electric universe , and He was king of the jungle, I sure will miss Him.
If I simplify the geometry to diameter?
Babies are enormous, usually 60 feet radius, whilst aged people can be down to a foot or so, as are those with alzhiemers/MS/ cancer etc.
The universal grid I detect has similer diameters involved, and it is akin to a key and a lock.
The babies are probably seeing very different realities until their geometry shrinks into the here and now diameter.
Google INDIGO CHILDREN, and I know many, they maintain this expanded diameter of detectable field measure, thus they stress the substance of universe and are seen by some as indigo coloured.
Kevin
Thinking of 3,6,9s and Junglelord beating that out on His drums.
: Re: Is everything a frequency, is it a harmonic/musical Universe?
: AbbeySam November 10, 2010, 15:54:53
Sorry to hear that news Kevin.  Although it is part of life and inevitable, it is a strange phenomenon for those left behind and each experience is totally unique, from the moment that you hear the news to the moment you feel you can start to feel better - nobody can tell you how to grieve or for how long.  I hope you feel better soon.

Thank you for explaining further regarding the diameters and I will give this some further thought.  I find it fascinating that the younger you are, the bigger you are, and then it is a constant dwindle.  Its like life explodes into being and takes a lifetime to settle.  Perhaps that is why people tell me that you never really know who you really are until you reach your 40s.. perhaps by then things have started to settle down and tuning into your own conscience is easier.